Universal Audio UAD-2 Powered Plug-Ins. Universal Audio UAD-2 Powered Plug-Ins Full Cracked The industry’s most respected collection of audio plug-ins The UAD-2 library now features over 90 plug-ins, co-developed with the biggest brands in audio — including Studer, Ampex, Lexicon, Neve, Manley, Roland, SSL and more. The Authentic Sound of. Free Download UAD-Universal-Audio-Plugin Bundles Complete Software [Programs, Cracks, Cracked, Pro, Serial, Keys, Activation, Latest Version] for a computer system with Windows and Mac. Free download the complete patch of the UAD-Universal-Audio-Plugin Bundles Windows and Mac.
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SOLO/610. Manley Massive Passive EQ A thorough emulation of Manley’s flagship boutique tube EQ, the Manley Massive Passive EQ plug-in excels at radical tonal shaping, delicate shading, or mastering enhancement. The Manley Massive Passive EQ plug-in expertly captures the hardware’s unique filter curves and musical distortion as well as its unparalleled clarity. Officially licensed and endorsed by Manley Labs, the Manley Massive Passive EQ plug-in expertly captures the behavior of the hardware, from the signature filter curves, to the multiple band interdependencies, down to the tube amplifier distortion, and all-important transformer/inductor hysteresis. Manley VOXBOX Channel Strip Manley’s VOXBOX channel strip is a blend of tube circuits, designed specifically for vocal sources.
Featuring UA’s Unison™ technology, the Manley VOXBOX Channel Strip plug-in is a stunning emulation of the hardware, capturing the its tube preamp, optical compressor, passive EQ, and de-esser/limiter sections. For years, the Manley VOXBOX has served as a secret weapon for bassists looking to harness its tube signal path and slick EQ and compression appointments. Engineers have also called on the Manley VOXBOX for guitars, strings, and drums as it elevates any source way beyond the ordinary. Smearing I think this is a decent plugin but needs to be used carefully.
I think the 'analog' sound is just the smearing this plugin does to your audio. It may be useful on soft synths or certain instruments but on vocals (ironically) I think once you get past the initial 'wow, it sounds really warm' factor, you begin to realise it's just smearing the sound a bit. The punchiness and clarity goes and you're left with a recording that's awkward to fit into the mix. Might be good for harsh vocalists/mics but do be a bit careful that the 'warmth' isn't just a loss in tone and clarity. Probably useful on a good few things but for, I'm slightly underwhelmed. Another amazing Manley plugin The Vari-Mu and Massive Passive plugins are my favorite plugins during mastering, the new VOXBOX plugin, after testing it extensively, has become my favorite plugin on lead vocals.
It's basically all you need to make a vocal sit perfectly in the mix. The compressor is smooth and versatile, as it has a lot of attack/release options.
The gain, when pushed, adds some extra character, just perfect! The de-esser is smooth and very effective in my experience, I have not found a de-esser plugin that sounds as natural as this one. The EQ section is smooth and can shape a vocal to taste. UA and Manley did it again, what an amazing plugin! Producer, Musician, Engineer The Manley VOXBOX PLUGIN.I never heard the physical piece, but one word for the plugin, Dammmmmm.
I mean this has to be one of the best if not the best plugin ever made. Vocals,bass,keyboards all had overly excellent results.
I even tried it on my mix bus, It knocks it out the park. I've been mixing for 2 years,so I'm still amateur. But I swear to you this plugin has finally graduated my music to a professional sound that I longed to accomplish. I just sat here smiling to myself from the results I was getting. And I don't work for universal audio.They just got it goin on. Thank you tho universal audio. And thanks for the 50 dollar voucher.
Keep em coming, I still need the Chandler Curve Bender. The channel strip game is getting extremely competitive these days. Haven't used the hardware, so this is a virgin opinion.
In short, the unit sounds nice. You get a definite sense of audio quality when it is flipped on.
I hear a definite emphasis on the upper bands in the compressor. Pushed hard, the effect can be fatiguing and becomes an issue that I'd usually be compelled to compensate for. The emphasis can be cool if that's what you're after for a particular application, but if you are looking for something more even in its dynamic response, this isn't would I'd personally go for. In a shootout with bxconsole (far and away my preferred channel strip presently), VoxBox could not keep up. But I imagine this makes a hell of a Unison-mode mic pre that cuts through, which is what it was designed for. Maybe it's just me.
As a plug-in stereo compressor it's great- just like a lot of stereo compressors in UA's catalog. I've used the Vari-Mu plug-in in a wide variety of situations and it works fine. But when comparing it to the 10 year old Manley Vari-mu in my rack (recently modified with the HP SC option), the plug-in just doesn't carry the same 'weight' as the hardware. The hardware version just has some magical glueness to it that the plug-in doesn't. Maybe I'm just used to my particular hardware version sonic character -using something every day for 10 years, things tend to grow on you.
Maybe it was modeled after the tube switch? So for me it's the hardware version going in and sub-bus on mixes and the plug-in for channels for a little extra as needed. Brilliant BUT. There are some bits of equipment that are not just useful, not just essential, but magical. An original C12, a Telefunken V72, an 1176 and a Vari-Mu fit into this category for me. I'm delighted that UAD have made this plugin, I bought it as soon as I heard it.
From a compression point of view it does exactly what the hardware version does, but without the magic. I was fascinated to see whether UAD would be able to faithfully represent the warmth and depth of the original - the fact that it makes your vocals sit a foot in front of the speakers rather than just in between them. In my opinion they haven't achieved this, but those clever chaps at Universal Audio can't do it, I guess it's impossible. But it's 1/10 the cost of the original! Here's the difference maker! I have been mixing for 20 years this year and very rarely have I run across something that I can't live without.
This is one of those pieces. I have to mix fast a lot of the time so I love when I find gear that glues a mix together super quick and yet doesn't sound like I spent 20 minutes on it. That's what Vari Mu does. I literally slapped this on a rough mix I had going and it immediately sounded like I had been dialing in the mix in for an hour.
You will too. It adds a little top end and clarity to the mix too!
It's pitiful. It's as low as the guys who create new posts/releases, on audioz, for FREEWARE apps, to which there are free links provided by the developer/website. And they call it 'new releases'. Though, the guys at UAD must have versions of their plug-ins that RUN on standard x86 platforms, and probably, they run much faster on old I7 3770k or I5 2500k cpus than on their cheapo dsp processors, as they have chosen to work with some of the least expensive and least powerful shark DSPs. That's why there are some uad plug-ins where a single stereo instance will DESTROY an OCTO card. Even more, when uad lie to their (future) customers about the cards instance count, by using as reference 44.1Khz 16bit, when most pros will be using AT LEAST 96Khz 24bit quality.
LOL at the guys who pay 1700 euros for an octo card, to find out there are a few plug-ins that they might only use ONCE. I wish uad could tell us if their dsp cards got chosen because they offer more power than a fast cup, or because they can use it as a huge hardware dongle.
But I guess the 2nd choice is good. Because for the price people are paying, and what those dsps do cost, the dsp cards should have 2 or 3 times more chips. A quad should have 8 or 12 dsps, an octo, 16 or 24. And they would still be making tons of cash, from each card sold.
The dsp models they've chosen aren't among the slowest/less powerful ones. Why nobody wonder why they only have plug-ins, but NO SYNTHS? Because their engineers could easily 100% model some classic synths, just like Arturia does. Why aren't they doing that? Because then, people could really have an idea how powerful /slow their dsp are. Because a diva -like synths would only get 3 or 4 notes polyphony on an octo card, that would not be a great advertising.
And because they must have plug-in versions that can run on Intel cpus, maybe there could be some sort of leak, like a former employe. Click to expand.Ex: Instances count mono/stereo.
At 44.1 16bit. Solo Duo Quad Octo Manley Massive Passive EQ (STD & MST) 37.1% 60.2% 2 /1 4/ 2 8/4 16/8 @48khz 24bit, we can easily divide those numbers by 2. Which means a user might be lucky if he can open 4 or 5 stereo instances, on an octo card. Unless you tell me the uad code can't access 2 dsps at once. Anyway, 8 stereo instances max on an octo 1700 euros card.
That's a little too much, for me. Anyway, at 300-400 euros each plug, these cards are definitely sold for the studio owners, or a few other guys who can spend 2000 euros per week. And will those pros work or protools, at 44khz 16bit? Lol, UAD, LOL @ your instance chart. Ex: Instances count mono/stereo.
At 44.1 16bit. Solo Duo Quad Octo Manley Massive Passive EQ (STD & MST) 37.1% 60.2% 2 /1 4/ 2 8/4 16/8 @48khz 24bit, we can easily divide those numbers by 2.
Which means a user might be lucky if he can open 4 or 5 stereo instances, on an octo card. Unless you tell me the uad code can't access 2 dsps at once. Anyway, 8 stereo instances max on an octo 1700 euros card. That's a little too much, for me. Anyway, at 300-400 euros each plug, these cards are definitely sold for the studio owners, or a few other guys who can spend 2000 euros per week. And will those pros work or protools, at 44khz 16bit?
Lol, UAD, LOL @ your instance chart. Click to expand.that is the way the plug-ins work, at least at the present, thus that is what is stated in my post, nothing to do with instance count statistics. Thus, there is no chance for any plug-in, even if in that verily dreaded stereo instance form, for being capable to destroy duo, quad, octo, cards. To be better explained, the code of every plug-in can use only one sharc chip, but one dsp chip might be used by more plug-ins, all this might be caused by data traffic restrictions or rather simplifications in their routing solution, better ask around about this at their user forum, if this is not enough demonstratively convincing. Bests, for all of us, as always, plus now we can laugh out loudly about all those stooopid developers who are incapable to write better code.